The Seljuk Han of Anatolia
SULTAN HAN KAYSERI
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![]() sculpted fan in portal entryway |
![]() Kiosk mescit mosque in courtyard |
![]() elaborate carved ribbon of dragons on kiosque mosque arches |
![]() Steps leading to roof terrace in northwest corner |
![]() eastern courtyard cells |
![]() Iwan of western courtyard cells |
![]() Cavalier perspective drawing by A. Gabriel |
![]() Cavalier perspective drawing by Mahmut Akok |
DISTRICT
(IL)
38 KAYSERI
LOCATION
This han is located 45 km northeast of Kayseri on the Sivas Road in the village of
Tuzhisar. The han is located on the older Sivas road that was the major route
linking Konya, Kayseri and Sivas to the east (Iraq and Iran). This road
has now been replaced by a more modern highway.
[map]
OTHER NAMES
Palaz or Palas Sultan Han
Tuzhisar Sultan Han
Kayseri-Bunyan Sultan Han
Büyük Kervansarayı
DATE
1232-6
The inscriptions over the hall door and over the courtyard door are now lost, so
dating is estimated by comparison with the Sultan Han Aksaray, which probably
preceded it.
REIGN OF
Alaeddin Keykubad I (1220-37)
PATRON
Alaeddin Keykubad I
BUILDING TYPE
Covered with open courtyard (COC)
Covered section smaller than the courtyard
Covered section with central aisle and 2 aisles on each side
7 bays of vaults
DESCRIPTION
The han faces south. It is the second largest han in Turkey, and is one of
the most spectacular and striking hans of the entire Middle East. It was
undoubtedly one of the most luxurious inns known, the five-star "Hilton" of its
day.
Exterior:
There are 6 corner towers and 9 side towers on the exterior walls, which
give the appearance of a fortress. The walls are made of limestone, very finely
cut, and include in parts blocks of white limestone. There are lion-faced
water spouts on the walls and the plain towers of varying design.
Portal and Entryway:
The entry door is offset to the east, and is the only entry to the han. It
is flanked with cylindrical columns with square bases.
On each side of the entry passageway are two vaulted rooms which probably served
as the guard’s rooms. There are also the remains of a staircase in the western
guard room which led up to the roof terrace.
At the entrance passageway is a vault with pendentives and a half-dome. A star
with 4 branches is formed by the intersecting lines of the intrados.
There is a stone on the portal which provides the name of the architect, Yadigar.
Courtyard:
The entrance passageway opens onto a vast square courtyard, with 2 rows
of 7 vaults on the east and 1 row of 7 vaults on the west side of the courtyard.
The arched cells on the eastern side are covered with barrel vaults and rest on 2 rows
of pillars. They probably served as both a loading area and stables.
The western cells (to the right upon entering) are doubled with a wing of rooms covered in barrel vaults.
The
front part of these cells house a bath complex, of irregular plan, comprising 5 rooms with domes
and vaults. The first room is the dressing room, the second is the domed
bathing area with basins, including a tepidarium and caldarium sections, as well
as toilets. The cistern of the bath house, heated from
below, is rectangular in shape covered with a barrel vault.
The other cells on this side were used for lodging people and perhaps
animals. The open cells on the opposite side were for the same purpose,
but were probably used more in the summer.
Hall:
A monumental door with a high arch leads to the hall. It has lateral niches, an arched vault
with stalactites, above which is an archivolt with a broken arch. The door is
typical of the traditional Seljuk design. The face is decorated with fine
geometrical arabesques.
The
large hall is entirely covered in vaults and measures 42.10 long and 29.15m
wide. It rests on 24 pillars. It consists of one principal aisle, 5.95m wide,
and which is higher than the other vaults, and
two symmetrical side aisles, each with 7 vaults covered in broken barrel
vaults.
There are windows at 4m high in each of the bays of the covered hall.
The area had a raised platform to separate the animals from the humans,
functioning much like a haha wall in a garden. The animals remained in the
space closest to the side walls, and the middle was reserved for the travelers
and communal functions.
Over the central aisle there is a dome on pendentives. This oculus measures 6 m
in width.
Mosque:
The kiosk mescit mosque stands in the middle of the courtyard, raised on 4 piers, and is
square in plan, measuring 7.90m on each side. It is 2 storeys high, with a
double corbelled staircase built flush into the northern side, leading up to the
muezzin’s platform and the undecorated prayer room. This prayer room is square
in plan, covered by a barrel vault, and lit by 2
side windows. The mihrab is on the southern side.
The lower stones are of ashlar construction and the upper stones are of granite with some
marble pieces interspersed among them.
There is a giant snake (or dragon) motive on the mosque's arches: two
abstractly-rendered serpent heads meet at
the top of the arch.
DECORATION
The decoration of the mosque shows expert stone carving. It comprises
geometrical motives, meanders, polygons and rosettes is extremely precise and of
fine workmanship. There is a magnificent Greek key decoration on the door to the
hall.
As mentioned above, the mosque arches are decorated with a stunning, stylized ribbon
ending with confronting snake's heads.
Decorative elements include arabesques, crescents, dragons, trelliswork,
swastikas, Syrian knots, meanders, arched bricks, lambrequins and rope work.
Historical note: The Mamluk Sultan Baybars stayed at this han during his 1277 campaign in Anatolia against the Mongols.
DIMENSIONS
Total area: 3900m2
Area of hall: 1290 m2
Area of courtyard: 2100m2
It is somewhat smaller that the Sultan Han Aksaray.
STATE OF CONSERVATION, CURRENT USAGE
The han was well-restored in 1951, and is in good condition. It is now run as
a cultural site by the Turkish government and can be visited (guardian's offices
are next door). It was again restored in 2007.
BIBLIOGRAPHIC REFERENCES
Acun, p. 173-193 (includes extensive bibliography in Turkish); 460-461; 463; 535
Bektaş, p. 114-121
Erdmann, p. 90-97, no. 27
Gabriel, p. 93-98, pl. XXVIII, XXIX, XXX, fig 60-63
Hillenbrand, fig. 6.44, p. 552; 6.45, p. 349; plate 250, p. 347; plate 251, p.
348
Karpuz, Kuş, Dıvarcı
and Şimşek (2008),
vol. 1,
p. 473-474.
Rice, p. 206

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carving on inside face of entry portal |
arch on western side of portal |
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restoration and original stonework of exterior facade |
arch on eastern side of portal |
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polygon carving on side panels of portal |
detail of polygonal pattern |
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kiosk mosque seen from southwest |
![]() detail of dragon heads at summit of mosque arches |
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Lantern dome of covered section |
portal to covered section |
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lion's head waterspout sculpture on side of western courtyard door |
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detail of arcs on iwan of western side |
detail of upper edge carving of courtyard walls |
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stone bearing the inscription: "Master Yadigar fecit" transcription by Halit Erketlioğlu, as seen in Kayseri Kitabeleri, 2001, p. 48
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for a series of photos of the han taken in 1961 and 1963 by John Ingham, click below:
The poet and historian Muhsin Ilyas Subaşi relates
the following anecdote relative to the Kayseri Sultan Han in his book on the
history of Kayseri (Dünden Bugüne Kayseri, Kayseri: Kivilcim Yayinevi,
2003; p. 92-94.) He has also written a poem to the han.
bellowed the Sultan to his Grand Vizier. And so in this way was the order
given to the Grand Vizier to oversee the construction of a series of caravansarais between the
larger cities of the kingdom, in order to ensure the safety and comfort of the
travelers on the roads in the lands under his charge.
One spring evening, the Sultan Alaeddin Keykubad gathered his viziers
together in his palace at Keykubadiyye. He explained to them the responsibilities
he expected of them concerning the services and operations of these hans.
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SULTANHANI
MUHSİN İLYAS SUBAŞI
How many caravans have entered your doors with anticipation
How many voyagers have left their dreams in the heart of your courtyard
The stars kiss your forehead each night
What stories do the roads passing in front of you tell?
Homesickness and the melancholy of exile
Are loaded on your backs each day of the year
The past and the future hide in the shadows of your monumental portal
Which welcomes and bids adieu each day to a thousand desires...
The Seljuks placed their very souls in your domes
Travelers have filled your halls with their trusting faith
So it was that your destiny grew,
But now, your visitors are none!
SULTANHANI
-Katharine Branning Hanımefendiye;
Kaç kervan umutla girer kapından,
Seyyahlar gönlünde hülyaya dalar.
Yıldızlar her gece öper alnından,
Ne söyler önünden geçen bu yollar?
Sıla özlemini, gurbet hüznünü,
Yüklenir sırtına yılın her günü,
Saklarken taç kapın yarını-dünü,
Her gün bin umutla boşalır, dolar…
Selçuklu kubbene gönlünü koymuş,
Yolcular sofranda umuda doymuş,
Senin de kaderin demek ki buymuş,
Artık ne gelenin, ne gidenin var!..
MUHSİN İLYAS SUBAŞI
©2001-2011, Katharine Branning; All Rights Reserved. No part of this site may be reproduced in any form without written consent from the author.