Karatay Han

LOCATION
The han is located 50 km east of Kayseri on the Pinarbasi-Malatya Highway past Elbaşi in the village of Karadayi. This road was the former trade route that linked Kayseri with Malatya and the south.

OTHER NAMES
The han is named after its patron, vizier Celaleddin Karatay.

DATE
1235-41 (dated by inscription)

Construction of this han started during the reign of Alaeddin Keykubad and was completed during that of his son, Gıyaseddin Keyhüsrev, in 1240/1241.

The han contains two inscriptions:
●one on the main door, giving the date of 638 H (1240) with the name of Kayhüsrev II, son of Keykubad I. The inscription opens with the words, "This building belongs to God, who is One, Eternal, and Everlasting, August and Magnificent Sultan, King of Kings, the Shadow of God on Earth, Keyhüsrev son of Keykubad, Commander of the faithful in the year 638".
●one on the entry to the main hall, undated, but with the name of Keykubad, son of Kaykavus.

These two inscriptions lead us to believe that :
●the large covered hall was built under the reign of Alaeddin Keykubad I in 1219-1236 at the end of his reign. Work began during his reign but he only lived to see the completion of the main hall.

●the open courtyard section was built in 1240 by the great Seljuk vizier Atabey Emir Celaleddin Karatay during the time of the reign of Keykubad's son Giyaseddin Keyhüsrev in 638 (1240). Legend states that Celaleddin Karatay came from Kayseri to see the finished building, and was so overwhelmed by its magnificence that he sped away again, afraid that he would be carried away by pride in his own accomplishment. The endowment deed of Karatay Han states that it was built to serve both commercial and social functions.

Alaeddin Keykubad I for the hall
Giyaseddin Kayhüsrev II for the courtyard

PATRON
The courtyard section was built by the Seljuk vizier Emir Celaleddin Karatay, who also built the celebrated Karatay Medresse at Konya.

Covered section with open courtyard (COC)
Covered section smaller than courtyard
Covered section with a central aisel and 2 sets of side aisles running perpendicular to the back wall

DESCRIPTION
This han is perhaps the best preserved of all Anatolian hans, and is one of the most monumental examples of Seljuk architecture. It is especially famous for the relief sculpture on the walls of the tomb and on the pillars of the external walls.

The han faces north and was built on the old Kayseri-Malatya road, part of the main trade route into Syria. Like the towns and villages through which the trade roads passed, the vicinity of the hans used to turn into small commercial centers. This was true of the Karatay Han, which in the 13th century stood at a junction of roads leading from Syria, Iraq, eastern Anatolia and Iran to Kayseri and Sivas. It is hard to imagine that the dusty, quiet village of today, filled with sheep and geese, was once a teeming trade center.

Plan:
The plan is very similar to the Kayseri Sultan Han in size and dimensions but has slight variants:
●The courtyard is entirely open, with the mosque placed in a room to the right side of the entry passage
●the side wings around the courtyard to the east are open
●on the left of the entry passage is an iwan containing several tombs with a rectangular frieze with curious decoration: geometrical motifs and animals in high relief: birds, lions and, astonishingly, elephants.

There is a lantern dome over the covered area.

Exterior:
This is a massive and noble building, with 6 corner towers and 12 side towers. The appearance of the han is like a fortress from the outside with its massive walls and different reinforced turrets.

Portal:
The elaborate frames of the doorway contrast sharply with the starkness of the surrounding walls, drawing full attention to the monumental portal. The portal has a pointed arch filled with stalactites. This portal, which extends 2.5 m. out from the façade at the corners, measures 46 by 80 meters, and is flanked on either side by grooved and knotted pillars, producing an unusual appearance. The impressive outside walls are rendered even stronger by the rainspouts in the shape of winged lions holding a serpent in their mouths, as well as in the shape of human figures. The capitals of the columns on the far right of the portal niche are decorated with two lions, while there are two bird figures on the ones to the left. In the framing borders above, ox heads and small human figures are employed. The ornate carving of this portal and the combination of figurative, floral, vegetal and geometric patterns are very unusual.

Entrance vestibule:
An iwan (open-fronted vaulted hall) with a pointed vault leads from the portal into the courtyard. The iwan is flanked by a mosque, rooms for personnel, and a tomb. Along the eastern side of the courtyard are a series of long narrow chambers with pointed vaults. To the right of the entrance is the hazine, or treasury, for safekeeping of valuables. To the left of the entrance were the kitchen and an area for eating. Steps lead up to the roof from the kitchen area. The roof has deep water tanks for use in the hamam and the kitchens below.

Mosque:
The mosque lies at ground level in the entryway side of the courtyard to the right of the passageway. It consists of a small domed room, 4 x 4m, with a mihrab containing a decoration of stalactites and rosettes.
The mosque has a skylight in its roof arranged so that worshippers would be able to tell the time. It has its own smaller portal opening into the courtyard.

Tomb:
To the left of the entryway passage is a turbe tomb roofed with a groined vault. This structure has a portal-like door opening into an iwan over which is a muqarnas cornice. Below this cornice is an astounding frieze of seventeen niches containing animal figures such as birds, elephants, gazelles, rabbits and snakes.
Inside the tomb, above the unmarked cenotaph, is a ceiling star pattern painted blue to mimic the heavens. Some researchers have suggested that the cenotaph may belong to Celaleddin Karatay himself, although he was most certainly buried in his magnificent medrese in Konya. In addition to the painted star pattern, the room has exquisite brickwork patterns.

Bath:
The bath is a series of 3 small rooms, located in the right corner of the courtyard passageway (as it is in the Sultan Han Kayseri). The bath and the adjoining covered rooms face the courtyard.

Along the eastern side of the courtyard are a series of narrow chambers covered with pointed vaults, which open directly onto the courtyard. These served as lodgings for travelers. A long arcade runs down the western side of the courtyard. This vaulted arcade was used as a depot, bazaar and stabling area for the animals. Many of the stones have holes for tethering animal, and there are feeding troughs in the side aisles.

The tall main covered hall at the end of the courtyard was used as winter quarters. It has a fine conical dome at the cross section of the vaults.

One of the most interesting elements of this han is that the Foundation Deed was preserved and has come down to us intact. It provides ample information to the commercial and social setup of the han structure. It clearly sets out the services to be provided by the han to visitors, such as food and drink (1 kg of bread and 250 grams of meat per day), soap to wash, medicines, provision for the repair or replacement of shoes, shoeing of animals, firewood for heat and candles and oil for light…all for free.

The surface above the iwan facing the courtyard is surrounded by an interlocking pattern of double serpent figures in the Syrian-Zangid style.

Other decorative elements include arabesques, blossoms, dragons, human figures, Syrian knots, meanders, rope designs, birds, quadrupeds, and braids.

This han is undoubtedly most famous for the "parade of animals" frieze above the tomb with its decoration of human and animal figures: their presence may be attributed to the tradition of totemism and the Uygur animal calendar. The figures include elephants, lions, ducks and birds

Historical note: The Mamluk Sultan Baybars stayed at this han during his 1277 campaign in Anatolia against the Mongols.

DIMENSIONS
Total area: 3,025 m2
Area of hall: 815
Area of courtyard: 1,760

This is the fourth largest of the hans.

STATE OF CONSERVATION, CURRENT USAGE
The han was restored in 1964. In excellent condition, and is probably one of the best preserved of all the existing hans today. It is currently not open for visit.

Altun, p. 199-200
Bektaş, p. 122-127
Erdmann, p. 117-125, no. 32
Ertuğ, p. 82-95
Gabriel, p. 98-100
Gülyaz, Murat Ertuğrul, "The Kervansarays of Cappadocia", Skylife Magazine, December, 1999.

Courtyard arcade of cells on western side

Central aisle of covered section

View looking from courtyard to main entrance; steps leading to roof terrace

Portal of the covered section

Snake head knot detail over above courtyard door

Buttress towers of external walls

main inscription plaque

inscription plaque over covered hall door

photographs of inscription plaques by Prof. Dr. Zafer Bayburtoğlu, transcription by Halit Erketlioğlu, as seen in Kayseri Kitabeleri, 2001, p. 62-63.